All Guido Cagnacci Oil Paintings

(January 19, 1601 - 1663) was an Italian painter of the late-Baroque period, belonging to the Forle painting school and to the Bolognese School. Born in Santarcangelo di Romagna near Rimini, he died in Vienna in 1663. He worked in Rimini from 1627 to 1642. After that, he was in Forle, where absorbed the lesson of the Melozzo's painting. Prior to that he had been in Rome, in contact with Guercino, Guido Reni and Simon Vouet. He may have had an apprenticeship with the elderly Ludovico Carracci. His initial output includes many devotional subjects. But moving to Venice under the name of Guico Baldo Canlassi da Bologna, he renewed a friendship with Nicolas Regnier, and dedicated himself to private salon paintings, often depicting sensuous naked women from thigh upwards, including Lucretia, Cleopatra, and Mary Magdalene.This allies him to a strand of courtly painting, epitomized in Florence by Francesco Furini, Simone Pignoni and others. In 1650, he moved to Venice. In 1658, he traveled to Vienna, where he remained under patronage of the emperor Leopold I. His life was at times tempestuous, as characterized by his failed elopement (1628) with an aristocratic widow. Some contemporaries remark him as eccentric, unreliable and of doubtful morality. He is said to have enjoyed the company of cross-dressing models.
 

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Guido Cagnacci Jesus and John the Baptist as children oil painting


Jesus and John the Baptist as children
Gemälde IDENTIFIZIERUNG::  81059
Jesus and John the Baptist as children
Jesus and John the Baptist as children, oil on canvas, 126 x 93 cm Date 17th century cjr
Jesus and John the Baptist as children, oil on canvas, 126 x 93 cm Date 17th century cjr
   
   
     

Guido Cagnacci Death of Cleopatra oil painting


Death of Cleopatra
Gemälde IDENTIFIZIERUNG::  81557
Death of Cleopatra
nach 1659 Medium Oil on canvas Dimensions Deutsch: 153 x 168,5 cm cjr
nach 1659 Medium Oil on canvas Dimensions Deutsch: 153 x 168,5 cm cjr
   
   
     

Guido Cagnacci Maddalena svenuta oil painting


Maddalena svenuta
Gemälde IDENTIFIZIERUNG::  81865
Maddalena svenuta
ol/tl, 86x72 cm Galleria Nazionale d'Arte Antica, Roma Date 1663 cyf
ol/tl, 86x72 cm Galleria Nazionale d'Arte Antica, Roma Date 1663 cyf
   
   
     

Guido Cagnacci Death of Cleopatra oil painting


Death of Cleopatra
Gemälde IDENTIFIZIERUNG::  85569
Death of Cleopatra
nach 1659 Medium Oil on canvas cyf
nach 1659 Medium Oil on canvas cyf
   
   
     

Guido Cagnacci La morte di Cleopatra oil painting


La morte di Cleopatra
Gemälde IDENTIFIZIERUNG::  95764
La morte di Cleopatra
c. 1660 Medium ol/tl Dimensions 120 x 158 cm (47.2 x 62.2 in) cyf
c. 1660 Medium ol/tl Dimensions 120 x 158 cm (47.2 x 62.2 in) cyf
   
   
     

       VORHERIGE  1
VORHERIGER KÜNSTLER       NÄCHSTER KÜNSTLER     

     Guido Cagnacci
     (January 19, 1601 - 1663) was an Italian painter of the late-Baroque period, belonging to the Forle painting school and to the Bolognese School. Born in Santarcangelo di Romagna near Rimini, he died in Vienna in 1663. He worked in Rimini from 1627 to 1642. After that, he was in Forle, where absorbed the lesson of the Melozzo's painting. Prior to that he had been in Rome, in contact with Guercino, Guido Reni and Simon Vouet. He may have had an apprenticeship with the elderly Ludovico Carracci. His initial output includes many devotional subjects. But moving to Venice under the name of Guico Baldo Canlassi da Bologna, he renewed a friendship with Nicolas Regnier, and dedicated himself to private salon paintings, often depicting sensuous naked women from thigh upwards, including Lucretia, Cleopatra, and Mary Magdalene.This allies him to a strand of courtly painting, epitomized in Florence by Francesco Furini, Simone Pignoni and others. In 1650, he moved to Venice. In 1658, he traveled to Vienna, where he remained under patronage of the emperor Leopold I. His life was at times tempestuous, as characterized by his failed elopement (1628) with an aristocratic widow. Some contemporaries remark him as eccentric, unreliable and of doubtful morality. He is said to have enjoyed the company of cross-dressing models.

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